Daily Archives: February 1, 2017

Review of Michael Moore’s: Where To Invade Next

Last night I watched, Where to Invade Next, a 2015 American documentary film written and directed by Michael Moore.[3][4] (The film can be watched free with an Amazon Prime account, or rented for a few dollars here: Where to Invade Next; or purchased for a few more dollars here: Where To Invade Next.)

The film received positive reviews from critics. Review aggregator website Rotten Tomatoes reports that 78% of 169 reviews are positive, with an average rating of 6.7/10. The site’s consensus states: “Where to Invade Next finds documentarian Michael Moore approaching progressive politics with renewed — albeit unabashedly one-sided — vigor”.[15] On Metacritic, the film holds a 63/100 rating, based on 33 critics, indicating “generally favorable reviews”.[16]

I think it is Moore’s best film, managing to be solemn and humorous at the same time. My reaction was more somber. For me, the film reveals, without explicitly saying it, how the toxic masculinity of American society, especially our propensity for violence and domination, leaves us bereft of community, compassion, and respect for human dignity. Social harmony and caring, juxtaposed with social dysfunction and aggressive competition, make the USA look horrific by comparison. Our cruelty and brutality are on full display and, compared with more civilized countries, American social policies are revealed for what they are—sheer madness.

In the film Moore visits (invades) various countries and claims some of their most successful ideas for the US. The idea is that rather than invade to destroy, we invade to learn how we could have a better and more just society.

Here are the countries he visits, and topics he considers, in order of appearance:

No one could watch the film objectively, assuming they realized that everything Moore is saying is true, and restate that stale line “America is the greatest country.” In fact, one should draw nearly the opposite conclusion. I highly recommend the film.